GO HOME
Visit European Gallery



  1  2  3   Next
 
 
Prev Artist       Next Artist     

BECCAFUMI, Domenico Trinity fgj oil painting


Trinity fgj
Painting ID::  4988
BECCAFUMI, Domenico
Trinity fgj
1513 Oil on wood, 152 x 228 cm Pinacoteca Nazionale, Siena

   
   
     

BECCAFUMI, Domenico Trinity (detail) df oil painting


Trinity (detail) df
Painting ID::  4989
BECCAFUMI, Domenico
Trinity (detail) df
1513 Oil on wood Pinacoteca Nazionale, Siena

   
   
     

BECCAFUMI, Domenico Birth of the Virgin dfgf oil painting


Birth of the Virgin dfgf
Painting ID::  4990
BECCAFUMI, Domenico
Birth of the Virgin dfgf
c. 1543 Oil on wood, 233 x 145 cm Accademia, Siena

   
   
     

BECCAFUMI, Domenico Stigmatization of St Catherine of Siena oil painting


Stigmatization of St Catherine of Siena
Painting ID::  4991
BECCAFUMI, Domenico
Stigmatization of St Catherine of Siena
c. 1515 Oil on wood, 208 x 156 cm Pinacoteca Nazionale, Siena

   
   
     

BECCAFUMI, Domenico Tanaquil  gffn oil painting


Tanaquil gffn
Painting ID::  4992
BECCAFUMI, Domenico
Tanaquil gffn
1519 Oil on wood, 92 x 53 cm National Gallery, London

   
   
     

  1  2  3   Next
Prev Artist       Next Artist     

     BECCAFUMI, Domenico
     Italian Mannerist Painter, ca.1486-1551 Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.

     Related Artists::.
     | Frans van Leemputten | Johann Baptist Reiter | Philippe Mercier |


IntoFineArt Co,.Ltd.